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Thursday , November 21 2019

‘Win meant my story has been heard’ – Crimean Tatars celebrate Eurovision win

Ukrainian singer Jamala gets off the plane as she arrives in Kiev Boryspil airport on May 15, after winning the final of the 2016 Eurovision Song Contest. (AFP)
Ukrainian singer Jamala gets off the plane as she arrives in Kiev Boryspil airport on May 15, after winning the final of the 2016 Eurovision Song Contest. (AFP)

MOSCOW, May 16, (Agencies): Russian lawmakers and commentators lashed out at Ukraine’s “political” victory in the Eurovision Song Contest, insisting Moscow’s entrant was robbed by its arch-foe, as the winner returned to Kiev Sunday to a rapturous welcome.

Ukrainian singer Jamala won the glitzy contest Saturday in Stockholm with her ballad “1944” about the deportation of the Crimean Tatars by Soviet authorities during World War II, in a performance widely seen as a swipe at Moscow over its annexation of the peninsula in 2014.

Russian singer Sergei Lazarev — the clear favourite with bookmakers before the contest — was beaten into third place after losing out on the national jury tallies despite claiming the most points from viewers in the public vote.

It is not the first time the Eurovision Song Contest has raised political hackles, despite “lyrics, speeches, gestures of a political or similar nature” being banned at the competition.

“It was not the Ukrainian singer Jamala and her song ‘1944’ that won the Eurovision 2016, it was politics that beat art,” Frants Klintsevich, a member of Russia’s upper house of parliament told local news agencies, calling for his country to boycott next year’s tournament in Ukraine.

Feud

Russia and Ukraine have been locked in a bitter feud since Moscow annexed Crimea from Ukraine in February 2014 and was then accused of fuelling a bloody uprising by pro-Russian rebels in Ukraine’s east.

At Kiev airport, hundreds of people shouting “Crimea is Ukraine” acclaimed Jamala, who is of Crimean Tatar stock, on her return from Stockholm.

Fighting back tears the 32-year-old singer said the win meant “my story has been heard, the story of Crimean Tatars has been heard, the story of Ukraine has been heard.”

Yet “1944” was not a patriotic song, she insisted, adding that the Eurovision “has always had a somewhat political character” simply because so many countries were competing on the same stage.

Ukrainian President Petro Poroshenko was among the first to congratulate Jamala after her win.

“Yes!!!”, he wrote on Twitter after the results were announced. “An unbelievable performance and victory! All of Ukraine gives you its heartfelt thanks, Jamala.”

In Russia by contrast, the mood was one of bitter disappointment.

“The Eurovision was transformed into a political battle,” Alexei Pushkov, head of the foreign affairs committee in the lower house of parliament, accused in a tweet.

His counterpart in the upper house, Konstantin Kosachev, took a similar view, declaring “it was geopolitics that gained the upper hand.”

Kochachev said that the Eurovision victory could embolden Ukraine’s pro-Western leadership, jeopardising efforts to resolve the conflict in eastern Ukraine.

“For that reason Ukraine lost,” he wrote on Facebook.

“The thing the country needs now as much as air is peace. But war won.”

Reflected

Remarkably, the tensions between the two neighbours were not reflected in the public vote by viewers, with Ukrainians choosing Russia’s entry as their favourite and Russia ranking Ukraine second — a sign of the enduring ties between many people on either side of the border.

Russian state television had played down the themes of Ukraine’s winning song prior to the victory announcement but on Sunday also slammed the choice as political.

“The viewers picked Russia to win, the experts chose Australia but in the end Ukraine won first place,” a female news anchor on Perviy Kanal said as she introduced the segment.

“How the European jury stole victory from Lazarev” was the headline on an article on the website of the mass-circulation tabloid Komsomolskaya Pravda.

Politics and history have often weighted heavily on the Eurovision.

Last year, Armenia was asked to modify the lyrics of its song “Don’t Deny”, for pointing too directly at Turkey’s refusal to describe the massacre of Armenians a century earlier by Ottoman Turks as “genocide”.

In 2014, the votes cast in Crimea were counted as Ukrainian, ignoring the fact Russia had annexed the region.

And the French and the British like to blame their string of Eurovision flops on geopolitical alliances, claiming that the Nordics vote for the Nordics, the Slavs for the Slavs and the former Soviet republics for their kin.

“Any victory for Ukraine is going to annoy the Kremlin,” Ganna Gopko, the head of the international affairs committee in Ukraine’s parliament, told AFP.

“This is not just a victory at Eurovision, it is a victory of values”.

Crimean Tatars on Sunday celebrated Ukrainian singer Jamala’s win at Eurovision with a song that sheds light on their horrific deportations to Central Asia under Soviet dictator Josef Stalin but also hints at their recent treatment under Russian President Vladimir Putin.

Many Russians, whose Eurovision Song Contest entry won the popular vote but finished third when the national juries’ votes were added, said they felt robbed of the win because of political bias.

The Foreign Ministry spokeswoman joked sarcastically that to win next year’s contest a song will need to denounce “bloody” Syrian President Bashar Assad, who is supported by Moscow but blamed in the West for Syria’s 5-year civil war.

Russia’s annexation of Crimea in 2014 was condemned by the United States and European Union, which responded by imposing punishing sanctions. Inside Crimea, the seizure of territory from Ukraine was most strongly opposed by the Tatar minority, who now face persecution on the Moscow-ruled Black Sea peninsula.

“This song is about our tragedy … and I hope that people heard this,” said Emine Ziyatdinova, a 27-year-old Crimean Tatar who was among those celebrating the win at a Tatar restaurant in Kiev.

 

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