LOS ANGELES, Jan 9, (Agencies): “La La Land” steamrolled, “Moonlight” swooped in at the last minute and Meryl Streep offered an impassioned rebuke to President-elect Donald Trump at a schizophrenic Golden Globes that pivoted between heartfelt moments of protest and old-fashioned song and dance.
Damien Chazelle’s bright-hued Los Angeles musical “La La Land” dominated the Beverly Hills, California, ceremony with seven awards — a Golden Globes record — including best motion picture, comedy or musical, further cementing its Oscar favorite status.
But perhaps its stiffest Academy Awards competition, Barry Jenkins’ tender coming of age drama “Moonlight” — which competed largely in separate dramatic categories — took the night’s final award, best movie drama. It was the film’s only hardware despite six nominations.
Yet the night belonged to Meryl Streep, this year’s Cecil B. DeMille Award honoree, who most articulated an argument for the inclusivity of the movies — an ongoing theme of the night — over the platform of the president-elect, who’s to be sworn in Jan 20.
“La La Land” came in with a leading seven nominations, and won everything it was nominated for. Chazelle won both best director and best screenplay. Gosling won best actor in a comedy or musical, as did Emma Stone for best actress. The film also took best score (for composer Justin Hurwitz) and best song for “City of Stars.”
“I’m in daze now, officially,” said the fresh-faced, 31-year-old Chazelle accepting his award for directing.
In one of the evening’s more emotional acceptance speeches, Gosling dedicated his award to the late brother of his partner, Eva Mendes.
“While I was singing and dancing and playing piano and having one of the best experiences I’ve ever had on a film, my lady was raising our daughter, pregnant with our second and trying to help her brother fight his battle with cancer,” said Gosling, referring to Juan Carlos Mendes.
The ceremony got off to a rocky start when a broken teleprompter initially froze Fallon. “Cut to Justin Timberlake, please,” implored a desperately improvising Fallon. It was the second fiasco in eight days for Globes producer Dick Clark Productions, which presented the infamous Mariah Carey flub on New Year’s Eve.
As if predicting the “La La Land” haul to come, the “Tonight Show” host started the show with a cold open ode to the film in a lavish sketch more typical of the Academy Awards than the Globes. Fallon did a version of the film’s opening on-top-of-cars dance scene, with starry cameos from Timberlake, Tina Fey, Amy Adams and the white Ford Bronco of “The People v. O.J. Simpson.”
In a more truncated monologue, Fallon’s sharpest barbs weren’t directed at the stars in the room (as was the style of frequent host Ricky Gervais) but Trump. Fallon, who was criticized for his allegedly softball interview of Trump on “The Tonight Show,” compared the president elect to the belligerent teenage king Joffrey of “Games of Thrones.” His first line (at least once the teleprompter was up) was introducing the Globes as “one of the few places left where America still honors the popular vote.”
That, though, isn’t quite true. The Hollywood Foreign Press Association, a collection of 85 members, has its own methods of selecting winners for the Globes. Best supporting actress winner Viola Davis, the co-star of Denzel Washington’s August Wilson adaptation “Fences,” alluded to the group’s reputation for being wined and dined.
“I took all the pictures, went to luncheon,” said Davis, to knowing chuckles through the ballroom, as she clutched her award. “But it’s right on time.”
Davis continued what appears to be a certain path to the Oscar. Another favorite, Casey Affleck, also padded his favorite status. The “Manchester by the Sea” star took best actor.
Coming a year after a second-straight of OscarsSoWhite protests, the night was notable for the widespread diversity of its winners, in film and TV. Donald Glover’s “Atlanta” won best comedy series over heavyweights like “Veep” and “Transparent. Glover later added best actor in a comedy, and looked visibly surprised accepting each.
“I really want to thank Atlanta and all the black folks in Atlanta,” said Glover. “I couldn’t be here without Atlanta.”
Tracee Ellis Ross, accepting the award for best actress in a TV comedy for “Black-ish,” dedicated her award to “all of the women of color and colorful people whose stories, ideas, thoughts are not always considered worthy and valid and important.”
“I want you to know that I see you, we see you,” said Ross, who was the first black woman to win in the category since Debbie Allen in 1982.
There were some real upsets, none more than the British actor Aaron Taylor-Johnson who took best supporting actor for his performance in Tom Ford’s “Nocturnal Animals.” It was a surprise that Taylor-Johnson was even nominated, so his win over favorites Mahershala Ali from “Moonlight” and Jeff Bridges from “Hell or High Water” was a shock.
As expected, “The People v. O.J. Simpson” took best miniseries, as well as an award for Sarah Paulson. And Netflix’s Elizabeth II series “The Crown” won both best drama series and best actress in a drama series for Claire Foy.
But no one looked more surprised to win than Hugh Laurie, co-star of “The Night Manager,” who took best supporting actor in a limited series or TV film. Laurie was one of the few winners to pepper his acceptance speech with comments about Trump. “I accept this award on behalf of psychopathic billionaires everywhere,” he said. (“The Night Manager” won two more awards, including best actor for Tom Hiddleston.)
Paul Verhoeven’s “Elle” won best foreign language film and its star, Isabelle Huppert, was crowned best actress in a drama. The French actress vowed: “Do not expect cinema to put up walls and borders.”
The ceremony included a memorial reel, which was added following the recent deaths of Debbie Reynolds and Carrie Fisher, who were laid to rest Friday in Los Angeles. Streep quoted the latter to end her speech.
Three-time Oscar winner Streep berated President-elect Donald Trump for his divisive rhetoric as she received a lifetime achievement award at the Golden Globes on Sunday.
The 67-year-old fought to control her emotions as she received a standing ovation during her acceptance speech for the Cecil B DeMille Award, handed out by the Hollywood Foreign Press Association.
“You and all of us in this room, really, belong to the most vilified segments in American society right now. Think about it. Hollywood, foreigners, and the press,” she said to her peers with a laugh.
“But who are we? And, you know, what is Hollywood anyway? It’s just a bunch of people from other places.”
Streep spoke out with less than two weeks to go until the inauguration of Trump, who ran a divisive presidential campaign vilifying Mexicans and calling for a ban on Muslim immigration.
Trump’s election came with the movie industry embroiled in its own debate about an Oscars shut-out for non-white actors as well as unequal pay between the sexes.
“Hollywood is crawling with outsiders and foreigners. If you kick ‘em all out, you’ll have nothing to watch but football and mixed martial arts, which are not the arts,” she said, holding back tears.
She tore strips off Trump for the infamous campaign speech during which he did a decidedly unflattering impression of disabled reporter Serge Kovaleski — the Republican president-elect denies mocking the man.
“I still can’t get it out of my head because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modelled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kind of gives permission for other people to do the same thing.”
She urged the “principled press to hold power to account, to call them on the carpet for every outrage,” to cheers from the floor.
She also spoke of the privilege of being given the chance to act for a living and remembered her friend, “Star Wars” actress Carrie Fisher, who died after Christmas, one day before her mother Debbie Reynolds.
“As my friend, the dear departed Princess Leia, said to me once: take your broken heart, make it into art.”
Like the aspiring actress she plays in the ebullient musical “La La Land,” Emma Stone on Sunday dedicated her first ever Golden Globe Award to the dreamers and creatives who’ve ever been shut down.
In what was a Globes sweep for “La La Land,” Stone beat out heavyweights like Annette Bening for “20th Century Women” and Meryl Streep for “Florence Foster Jenkins” in the category. On her way up to the stage, she hugged director Damien Chazelle and co-star Ryan Gosling, both of whom had already picked up wins for the film, pausing to kiss Natalie Portman on the cheek before taking the mic.
Stone said that she moved to Los Angeles 13 years ago this week and thanked her mom, dad and brother for supporting her throughout her journey. She’s been nominated for the Golden Globes twice before, in 2014 for her supporting role in “Birdman” and in 2010 for her breakout role in the teen comedy “Easy A.”
Stone made her speech about everyone else — the producers and distributor Lionsgate for “taking a chance on this guy Damien Chazelle who said he wanted to make a modern musical,” co-star Gosling for “being the best partner a girl could ask for” and choreographer Mandy Moore for her “brilliance and patience.”
“This is a film for dreamers,” Stone said. “For any creative person who has had a door slammed in their face, metaphorically or literally … I share this with you.”