Silence of the Lambs director dies – Demme’s life sounded a steady rock ‘n’ roll beat

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In this Sept 3, 2008 file photo, filmmaker Jonathan Demme poses during the photocall of the movie ‘Burn After Reading’ at the 65th edition of the Venice Film Festival in Venice. (AP)

NEW YORK, April 27, (Agencies): Jonathan Demme, the Oscar-winning director of “The Silence of the Lambs” whose four-decade career spanned a staggering array of work from romantic comedy and rock music to hard-hitting documentaries, died Wednesday. He was 73.

Demme passed away in New York surrounded by his family after a battle with cancer, his publicist announced. He will be laid to rest in a private funeral.

He remains best known for the smash-hit 1991 horror-thriller starring Anthony Hopkins as serial killer Hannibal Lecter and Jodie Foster as FBI agent Clarice Starling. The movie was box office gold and a dazzling critical success.

It swept the 1992 Academy Awards, winning five Oscars including best picture, best actor for Hopkins and best actress for Foster.

“I am heart-broken to lose a friend, a mentor, a guy so singular and dynamic you’d have to design a hurricane to contain him,” Foster wrote in a statement.

Hopkins said he was shocked. “He was one of the best, and a really nice guy as well who had such a great spirit. Every day being with him was a high five.”

The director’s success with “Silence of the Lambs” gave Demme the commercial springboard to direct “Philadelphia” in 1993, a ground-breaking Hollywood blockbuster that won Tom Hanks his first Academy Award for playing a gay lawyer fired for contracting HIV and fighting for justice.

Critics say the movie changed the way Hollywood portrayed the AIDS crisis and revolutionized mainstream film’s portrayal of gay and lesbian characters.

Demme’s most recent feature film was the less well received “Ricki and the Flash,” starring Meryl Streep as a divorced mom who ditches her family to follow her dream of rock-n-roll stardom before a crisis compels her to return.

“Jonathan passed away early this morning in his Manhattan apartment, surrounded by his wife, Joanne Howard, and three children,” Demme’s publicist said in a brief statement. He died from complications from esophageal cancer.

His death prompted warm tributes for a deeply respected director, praised for his compassion and creativity, as well as recognized for highlighting causes such as the plight of New Orleans after Hurricane Katrina, and impoverished Haiti.

“Jonathan taught us how big a heart a person can have, and how it will guide how we live and what we do for a living,” Hanks said. “He was the grandest of men.”


Streep said Demme had been “a big-hearted” man who fully embraced “people in need — and of the potential of art, music, poetry and film to fill that need.”

Born on February 22, 1944 on Long Island, New York, Demme went to high school in Miami and briefly studied chemistry at the University of Florida in the hope of becoming a veterinarian.

It was after flunking science that he turned to writing movie reviews and got a publicity job at a film company. He later met director Roger Corman, who asked if he could write a screenplay.

“I fell backwards into it almost,” he said of his career in an interview with National Public Radio in 2007.

Demme directed a total of 20 feature films and 12 documentaries, not to mention innovative concert movie “Stop Making Sense” and music videos, chalking up a raft of writing and production credits. Much of his work had a political or social edge.

Besides thrillers, romantic comedies and a farce about the wife of a mobster, his real love was for documentaries. Subjects included Nelson Mandela, former president Jimmy Carter, and Bruce Springsteen.

“I’m not really in the business of making fictional films and I’m drawn to ones that I consider to be special and exciting in a certain way, and in the meantime I’ll be perfectly happy just to make documentary after documentary,” he told NPR.

But there were also flops.

His 1998 movie “Beloved” starring Oprah Winfrey and based on the Toni Morrison novel about a slave visited by the spirit of her dead daughter, bombed.

There were also lackluster reviews for his 2004 remake of “The Manchurian Candidate” starring Streep and Denzel Washington, set in the 1990-1991 Gulf War.

In 2013, the Americans For Immigrant Justice charity announced that it was honoring Demme with an award for decades of tireless work on behalf of Haitian refugees and vulnerable immigrants.

In place of flowers, Demme’s family requested donations to the Florida-based charity.

Through Jonathan Demme’s freewheeling filmmaking life sounded a steady rock ‘n’ roll beat.

Music was his first love and his first credit. Long before he was an Oscar-winning director, he was music coordinator for a little-seen 1970 thriller called “Sudden Terror.”

And Demme’s death Wednesday morning at the age of 73 means that the final scenes he shot in his adventurous, hopscotching career were musical, too. His last full-length documentary was a Justin Timberlake concert film.

Few filmmakers have been so drawn to the marrying of music and image the way Demme, a self-avowed “fanatical rock ‘n’ roller,” was. He stuffed 49 songs into “Something Wild.” Springsteen’s “The Streets of Philadelphia” gave his “Philadelphia” its melancholy heart. And, of course, his seminal Talking Heads concert film, “Stop Making Sense,” deftly captured the swell of David Byrne’s art-funk spectacular.

Demme, and his films, were never so alive as when the music was playing — and playing loud.

“I’ve come to believe, and I kind of felt this when we did ‘Stop Making Sense,’ that shooting live music is kind of like the purest form of filmmaking,” Demme told The Associated Press last year. “There’s no script to worry about. It’s not a documentary, so you don’t have to wonder where this story is going and what we can use. It’s just: Here come the musicians. Here come the dancers. The curtain goes up. They have at it and we get to respond in the best way possible to what they’re doing up there.”

Demme broke into moviemaking under the B-movie master Roger Corman in the early 1970s, and his prodigious, wide-ranging body of work always kept the agile curiosity of a low-budget independent filmmaker. His career spanned documentaries, screwball comedies and tales of social justice. Yet his most famous films were a pair of Oscar-winners.

Robert Jonathan Demme was born on Long Island on Feb. 22, 1944. After his family moved to Miami, he attended the University of Florida where he wrote movie reviews for the school paper. In 1971, he went to work for Corman, first as a unit publicist on “Von Richthofen and Brown” and later directing his own films: the women’s prison movie “Caged Heart”; “Crazy Mama” with Cloris Leachman; and “Fighting Mad,” with Peter Fonda as a farmer.

Demme most recently directed an episode of the Fox police drama “Shots Fired,” scheduled to air Wednesday, and a film for the Rock and Roll Hall of Fame, to debut July 1.

Demme was initially married to Evelyn Purcell, before divorcing. He is survived by his second wife, artist Joanne Howard, and their three children: Brooklyn, Ramona and Jos. His family requests that in lieu of flowers, donations be made to the Americans for Immigrant Justice.


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