Screen legend De Havilland turns 100 – Paul Simon, 74, ‘ready to give up music’

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PARIS, June 30,  (AFP) –Screen legend Olivia de Havilland, who turns 100 on Friday, is the last surviving star from “Gone with the Wind” and one of the last great stars of Hollywood’s bygone golden era.

The two-time Oscar winner and five-time Academy Award nominee came to embody the elegant glamour of the silver screen in the 1930s and 1940s.

But she also made waves with a landmark legal battle against the Hollywood studios and a secret feud with her equally famous sister, Joan Fontaine.

The 1939 box-office blockbuster “Gone with the Wind” brought de Havilland wide acclaim for her role as the noble, long-suffering Melanie, starring opposite Vivien Leigh and Clark Gable in the US Civil War epic.

Her performance as love rival to the fiery Scarlett O’Hara, played by Leigh, led to de Havilland’s first Oscar nod for best supporting actress.

But she lost out to co-star Hattie McDaniel, who played the character of Mammy and became the first African-American to win an Academy Award.

The film sealed De Havilland’s reputation as one of Hollywood’s top leading ladies, but with her doe-eyed looks she soon felt frustrated at the roles she was offered, fearful of being typecast as a sweet, innocent young thing.

“Playing a good girl was difficult in the 30s, when the fad was to play bad girls,” she once said in an interview.

“Actually, I think playing bad girls is a bore. I have always had more luck with good girl roles because they require more from an actress.”

Spotted

Her screen debut had come as Hermia in “A Midsummer Night’s Dream” in 1935 after director Max Reinhardt spotted her in a local theatre production of the play.

She won accolades for her role opposite swashbuckling actor Errol Flynn in “Captain Blood” later the same year, and their on-screen chemistry persuaded studio bosses to cast her alongside Flynn in seven other movies.

De Havilland incurred the wrath of the bosses at Warner Bros, who at that time effectively owned their stars, by rejecting script after script.

In what was a shocking move for the era, she sued the studios to be released from her seven-year contract and won, in a far-reaching 1945 ruling which gave actors the right to choose their own roles and career paths.

It is still known as the De Havilland law, and the actress once said of it: “I was very proud of that decision, for it corrected a serious abuse of the contract system… No one thought I would win, but I did.”

During her court case, she was blacklisted for three years and unable to work, but her legal victory kickstarted her career.

The following year in 1946 she won her first Oscar for her portrayal of Jody Norris in “To Each His Own”, in an edgier role as an unmarried mother and her heartbreaking struggle to stay near to the child she could never acknowledge.

She won her second Academy Award for playing the socially inept spinster Catherine Sloper in “The Heiress” in 1949.

In a real-life Hollywood drama, De Havilland was estranged for many years from her sister Joan Fontaine, her junior by a year and a screen legend in her own right.

Neither actress has ever spoken publicly about their feud, but in 1941 De Havilland lost out on an Oscar for her lead performance as Emmy Brown in “Hold Back the Dawn” to Fontaine, who picked up the statuette for Alfred Hitchcock’s “Suspicion”.

The sisters remain the only siblings in Oscar history to have both won lead acting honours.

Twist

The two girls were born to British parents living in Tokyo. In a twist of fate, De Havilland fell ill as a girl leading to an initially short stay in California that stretched into years.

De Havilland became a naturalised US citizen in 1941, but in the 1950s her career began to wilt as she despaired at the growing promiscuousness in the movie world.

She appeared in a few films in the 1970s and also did some television work in the 1980s. But she is said to have once pronounced: “The TV business is soul-crushing, talent-destroying and human-being-destroying.”

Romantically, De Havilland was linked to John Huston, James Stewart and Howard Hughes in the 1940s, but she married novelist Marcus Goodrich in 1946, by whom she had a son, Benjamin.

The couple divorced in 1953, and De Havilland later married French journalist Pierre Galante, with whom she had a daughter, Giselle, in 1956.

They later divorced but when Galante fell ill, she nursed him during his final days in Paris and remained in the French capital.

Also:

NEW YORK: More than half a century after he wrote “The Sound of Silence,” American singer Paul Simon says he is ready to hang up his guitar and stop making music.

“You’re coming toward the end,” he told The New York Times in an interview published Wednesday. “Showbiz doesn’t hold any interest for me,” said the 74-year-old. “None.”

The folk star turned world music champion, whose US tour ends Friday, released his most recent album, “Stranger to Stranger” on June 3 to rave reviews.

Its single “Wristband” is one of the most played songs on college radio.

His current tour ends in Queens, the New York borough where he grew up and met his now estranged music partner Art Garfunkel.

He is then scheduled to begin a month-long tour of Europe on Oct 17 in Prague, shortly after his 75th birthday.

Following that, he told the Times that his intention is to drift and travel for a year, perhaps with his third wife, the musician Edie Brickell.

“It’s an act of courage to let go,” Simon told the newspaper. “I am going to see what happens if I let go. Then I’m going to see, who am I?”

If he does quit music, Simon will bring to a close an extraordinary career that has spanned six decades, won him more than a dozen Grammys and produced songs tracking 50 years of social awakenings.

He and Garfunkel were a signature act of the 1960s, starting off with clean-cut folk songs before delving into fusion. The duo produced hits such as “Bridge Over Troubled Water” and “Mrs Robinson.”

Simon has been named by Time Magazine one of the “100 People Who Shaped the World,” collected more than a dozen Grammys and been named to the Rock and Roll Hall of Fame twice.

He told the Times that “Wristband,” which was released in April, is a metaphor for today’s struggle between rich and the disenfranchised.

The title refers to a musician who steps into an alley behind a club and finds himself unable to get back in without a wristband.

“It’s just a metaphor for, ‘You can’t get in. You don’t have what’s required,’” Simon said. “That battle is being fought right now, the haves and have-nots.”

The singer also spoke out against fame, saying he saw it “turn into absolute poison” in the 1960s.

“It killed Presley. It killed Lennon. It killed Michael Jackson. I’ve never known anyone to have gotten an enormous amount of fame who wasn’t, at a minimum, confused by it and had a very hard time making decisions.”

 

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