NEW YORK, April 22, (Agencies): Prince, who died suddenly Thursday at 57, transformed the music landscape with his infectious funk before becoming a reclusive rebel who brazenly challenged industry conventions.
The so-called Kid from Minneapolis created 1984’s “Purple Rain,” which regularly tops lists of the greatest albums of all time, but he was so startlingly prolific that he entered a legendary feud with his label as it tried to rein him in.
Prince became famous in his later career for eccentricities that included changing his name to an unpronounceable “love symbol,” announcing his concerts at the last minute and refusing to let reporters take notes on — let alone record — encounters with him.
But beyond the oft-satirized public persona, Prince was universally acclaimed as one of the most gifted artists of his generation, mastering a versatile electric guitar that he could play behind his back or blindfolded, and singing in a distinctive falsetto that showed no signs of fading with age.
Ever-clad in purple, Prince stood just five feet two (1.57 meters) but endured for decades as a style and sex symbol, wearing everything from frilly jackets to women’s underwear to nothing at all on the cover of his 1988 album “Lovesexy.”
Despite becoming one of the biggest stars of his generation — one of his songs was cheekily called “All the Critics Love U in New York” — Prince insisted on living near his hometown of Minneapolis, where he built his complex of Paisley Park.
Prince recorded albums in a state-of-the-art studio at Paisley Park and also threw public parties, the last of which took place Saturday. He kept his back recordings in the studio’s vaults and, as it turned out, died at the compound.
“One thing I’d like to say is that I don’t live in a prison. I am not afraid of anything,” Prince said in a rare recorded interview in 1986 with MTV at the height of his fame.
“I haven’t built any walls around myself and I am just like anyone else. I need love and water.
“I don’t really consider myself a superstar. I live in a small town, and I always will.” Born as Prince Rogers Nelson, the future pop icon grew up in Minneapolis with parents who were both jazz musicians, his father a pianist and his mother a singer.
Prince was eventually shuttled between different homes after his parents split, but to the surprise of some fans had in many ways a conventional upbringing that included playing basketball in high school.
He had his start playing in bands as a teenager and eventually landed a record deal with Warner Brothers. He temporarily moved to California to record and played every single instrument on his 1978 debut “For You.”
His self-titled second album — foreshadowing Prince’s future work ethic, he recorded the album within weeks of his first release — marked the start of his commercial success with instantly danceable tracks such as “I Feel For You,” later re-recorded with Chaka Khan.
Prince put out a string of hits in the following years including the album “1999,” whose title track’s science-fiction lyricism — “Tonight I’m gonna party like it’s 1999” — became an anthem of sorts two decades later at the turn of the millennium.
But Prince won his greatest acclaim with “Purple Rain,” which was accompanied by a semi-autobiographical movie in which “The Kid” fights to play at the legendary First Avenue club in Minneapolis against a rival band led by the brash Morris Day.
The album, recorded with Prince’s backing band The Revolution, generated hits such as “Let’s Go Crazy,” “When Doves Cry” and “I Would Die 4 You,” along with “Darling Nikki,” which like many of Prince’s songs oozed sexuality.
Prince followed up “Purple Rain” with a series of hit albums including “Sign o’ the Times,” “Graffiti Bridge” and the soundtrack to the 1989 movie “Batman.”
He became legendary for his stamina, playing marathon concerts, sometimes more than one a night, and often booking studio engineers in shifts so one would be present whenever he finished a song.
“There will be times when I’ve been working in the studio for 20 hours and I’ll be falling asleep in the chair, but I’ll still be able to tell the engineer what cut I want to make,” he told Rolling Stone in 1985.
“There are very few musicians who will stay awake that long.”
But Prince also grew increasingly estranged from his record label, Warner Brothers, which tried to rein in his knack of constant releases.
In the early 1990s Prince — in a charged gesture for an African American — wrote the word “slave” on his cheek to protest his conditions and changed his name to the “love symbol” as he sought to record on his own.
Prince went on to experiment widely on ways to release albums, putting out a total of 39 studio works during his life and winning seven Grammys.
He was an early proponent of the Internet but had a tumultuous relationship with the online world.
In 2010 he declared the Internet “completely over” and released a CD as an insert to European newspapers.
But he recently became convinced of the possibilities of streaming, signing on to rap mogul Jay Z’s service Tidal in part because it enabled him to put out albums more quickly with his own artistic control.
In the last two years of his life, Prince put out no fewer than four albums. He also toured widely, announcing tickets at the last minute to evade resellers.
Prince, who struggled with depression early in his career, suffered a personal tragedy in 1996 when his then wife, dancer Mayte Garcia, gave birth to a boy who died a week later from a rare condition.
Like his contemporary and sometime rival Michael Jackson, Prince always guarded family details, but Garcia said the baby’s loss contributed to the breakdown of their marriage.
A second marriage, to the Canadian businesswoman and philanthropist Manuela Testolini, also ended in divorce. Often thought to belong to another realm, Prince nonetheless engaged in politics periodically throughout his life.
Last year he released “Baltimore,” a tribute to African-American victims of police brutality after sometimes violent protests in the city.
Prince last year also planned a tour on piano and microphone of Europe — explaining that he was looking for a challenge as he was so known for his guitar — but canceled the tour in anger over scalpers and instead put on the shows in North America and Australia. Yet the artist had recently appeared to be more sociable, repeatedly inviting fans to party at Paisley Park.
Prince recently announced that he would finally tell his story in his own words with a memoir, named “The Beautiful Ones” after his song on “Purple Rain,” to come out in 2017.
But Prince died just one month later, meaning he may remain elusive after all.
In related news, Prince could play guitar like Carlos Santana or Jimi Hendrix, sing like James Brown, turn out pop melodies worthy of Motown or lay down the deepest grooves this side of Sly and the Family Stone. But no one could mistake his sound for anyone but Prince.
The dazzlingly talented and charismatic singer, songwriter, arranger and instrumentalist who died Thursday at his home drew upon the history of modern popular music and created a gender- and genre-defying blend of rock, funk and soul. With hits including “1999,” “Purple Rain” and “Little Red Corvette,” Prince’s records sold more than 100 million copies and earned him Grammys and an Academy Award for music.
But his greatest legacy was as a musician, summoning original and compelling sounds at will, whether playing guitar in a flamboyant style that drew on Hendrix, switching his vocals from a nasally scream to an erotic falsetto, or turning out album after album of stunningly innovative material. Among his other notable releases: “Sign O’ the Times,” “Graffiti Bridge” and “The Black Album.”
“He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the Eighties,” reads his dedication in the Rock and Roll Hall of Fame. “Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative.”
Prince’s influence even extended to politics, well before Obama’s time. In the mid-1980s, Tipper Gore, wife of then-Sen Al Gore of Tennessee, heard one of her daughters listening to Prince’s “Darling Nikki.” Horrified by the song’s reference to masturbation, she helped launch an organization dedicated to a labeling system for explicit content, the Parents Music Resource Center. A nationwide debate about censorship soon followed, including congressional testimony from Frank Zappa among others, and the refusal by some record sellers to offer releases deemed in need of advisories.
Prince had been touring and recording right up until his death, releasing four albums in the last 18 months, including two on the Tidal streaming service last year. He performed in Atlanta last week as part of his “Piano and a Microphone” tour, a stripped-down show that featured a mix of his hits, like “Purple Rain” or “Little Red Corvette,” and some B-sides from his extensive library.
Prince produced more than 30 commercially released albums over the course of his career, augmented by an extensive back catalog of work he kept in his vault at Paisley Park.
Though he is best known for his records from the 1980s, Prince remained prolific throughout his career, which spanned five decades. Here are some of his landmark releases, in chronological order:
* “For You.” 1978. Prince’s funk-heavy and ballad-laden debut album showcased the young singer’s emerging musical prowess and range.
* “Prince.” 1979. Included his first signature tune, “I Wanna Be Your Lover.” According to the album credits, Prince played guitar, drums, bass and other instruments.
* “Dirty Mind.” 1980. Featuring Prince in a thong and studded overcoat on the cover, the raunchy record highlighted the singer’s quirky style and cemented his ascent to pop superstardom.
* “1999.” 1982. Included hits “Little Red Corvette” and “Delirious.” The album’s title track would become an anthem for millennium parties the world over.
* “Purple Rain.” 1984. The soundtrack album to a movie of the same name, the record came to be recognized as one of the greatest of all time. The album’s main single, “When Doves Cry,” went to the top of the US charts.
* “Parade.” 1986. Featuring perhaps his most-recognized song ever, “Kiss.”
* “Sign o’ the Times.” 1987. A defining soundtrack to the 1980s, Prince demonstrated his musical scope with a swirling kaleidoscope of sounds.
* “Lovesexy.” 1988. Prince sparked controversy by posing nude on the cover of the album, which includes the classic “Alphabet St.”
* “3121” 2006. Prince’s 31st studio album, debuting at No. 1, marked a major comeback and his first album to hit the top spot since “Batman” in 1989.
* “Plectrumelectrum,” 2014. Featuring his backing group 3rdeyegirl, the record showcased Prince’s continued hunger to experiment, innovate and entertain, as well as showcase emerging talent.