Saturday , September 22 2018

‘The new princes’ – D&G court millennials

Models wear costumes for the Marni’s Men’s Fall-Winter 2017-2018 collection, part of the Milan Fashion Week, unveiled in Milan, on Jan 14. (AP)

MILAN, Jan 15, (AP): If turmoil brings innovation and renovation, Italian menswear is in for a creative burst.

Fashion houses are continuing their reboot of Milan Fashion Week menswear offerings, with notables like Bottega Veneta and Gucci sitting out this round, preferring to combine menswear and womenswear previews next month. That is making room for a plethora of newcomers.

The data indicates that menswear is worth the re-think. Euromonitor market research forecasts that between now and 2020, growth in sales for men’s attire and accessories globally will outpace that of women. Last year alone, Italian menswear produced 9 billion euros in revenue.

Here are some highlights Saturday of menswear previews for next fall and winter on the first day of Milan Fashion Week:

Dolce&Gabbana

Dolce&Gabbana have one-upped themselves, moving the young millennial crowd that has populated their front row in recent seasons onto the runway.

Pop star Austin Mahone, dapper in a tux with tapered legs, set the mood, dancing up and down the runway throughout the show, making the moves on the ladies, who included Sylvester Stallone’s three daughters.

Dolce&Gabbana’s show was titled “The New Princes” and it’s clear that they are catering to a young, selfie-savvy generation bred on social media. In an ultimate branding move, the designing pair created a pair of faceQ app-like images of themselves on jackets and sweaters.

Alongside the brand’s trademark tailored suits, the new collection includes zany plush animal head hoods or backpacks, and Rasta knit hats or crowns over baseball caps, fun-loving Harajuku touches for a generation that prizes its juvenile side. Jeans and jackets were covered with appliques, with royal motifs from crowns to hearts emerging as decorative emojis.

Versace

The new Versace man is both a traveler who means business and a sportsman who knows how to relax.

His suits fit close to the body, paired with dark glasses and two-toned sneakers, topped with double-breasted overcoats, knitted blanket jackets or belted trenches. After hours, he relaxes with hoodies under bomber jackets, worn with the day’s trousers or athletic pants. And on the weekend, he hits the outdoors in plaid shirts and shearling coats.

Models crisscrossed the runway beneath arched gates, suggesting a Middle Eastern market. The exotic vibe also was reflected in ethnic patterns that cut diagonally along jackets, or were put tile-like on bombers.

Versace’s neoclassic Greek patterns were replaced this round with photographic prints of classical sculptures.

“This is a collection about the different tribes of Versace men,” Donatella Versace wrote in show notes, “and the powerful positivity that can happen when men from different places, different cultures join together.”

Marni

Marni has taken a rumpled, colorful turn. The new Marni man, as imagined by creative director Francesco Risso in his debut season, is something of a light-hearted vagabond.

The brand’s heritage fur appears in hats that have the appearance of colorful wigs, as square tufts on jacket sleeves, wisps on collars and finally, in their full glory, as fluffy overcoats.

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