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Wednesday , October 21 2020

Dispute over Jay Z hit an ongoing problem – Lyrics violate ‘moral rights’ of Hamdi

Dave Briggs (left), and Dan ‘Hitman’ Cord of the band American Hitmen perform during the 32nd Love Ride at Castaic Lake on Oct 18, in Castaic, California. (AP)
Dave Briggs (left), and Dan ‘Hitman’ Cord of the band American Hitmen perform during the 32nd Love Ride at Castaic Lake on Oct 18, in Castaic, California. (AP)

LOS ANGELES, Oct 19, (AP): There’s no dispute that Jay Z’s 1999 hit “Big ***” includes elements of a 1950s Egyptian love ballad, yet the flute notes taken from “Khosara Khosara” have created a lingering problem for the rapper and a hit-making producer.

For two days last week, Jay Z and producer Timbaland sat in a courtroom in downtown Los Angeles, listening as lawyers and witnesses picked apart their song and the actions that led to its creation.

The men, who have a combined 25 Grammy Awards between them, are being sued by the nephew of the late Egyptian composer Baligh Hamdi, who wrote the distinctive flute notes that ended up in “Big ***”.

An attorney for Hamdi’s heir contends the artists and their labels never obtained the proper permission from Hamdi’s heirs to use “Khosara Khosara”. Lawyers for the pair, however, say proper permission to use the flute notes was obtained in 2001, Hamdi’s nephew has been paid for its usage and the case should be decided in Jay Z and Timbaland’s favor.

Testimony in the case will draw to a close on Tuesday, and then it will be up to an eight-person jury to wade through a complicated series of contracts, correspondence and agreements that span three continents.

They’ve heard directly from Jay Z and Timbaland, who explained how “Big ***” came together and why they believe they have the right to use the “Khosara Khosara” notes.

Timbaland, whose real name is Timothy Mosley, paid $100,000 in 2001 to settle an out-of-court claim from a record company with rights to distribute Hamdi’s music outside Egypt. It would be another six years before Hamdi’s nephew, Osama Ahmed Fahmy, sued Mosley and Jay Z for copyright infringement. Fahmy also asserts the raunchy lyrics of “Big ***” violate the “moral rights” of his uncle’s work, although that legal concept is enforceable only in Egypt and Jay Z’s lyrics are not an issue in the case.

Toward the end of his testimony Wednesday, Mosley told jurors his reaction to Fahmy’s lawsuit when it emerged so many years after “Big ***” was created: “So, who did I pay 100 grand to?”.

Paying other artists to sample their work is commonplace, especially in the rap and hip-hop genres.

Mosley’s payment is how the system should work, said Jonathan Steinsapir, an intellectual property lawyer with the firm Kinsella Weitzman Iser Kump & Aldisert.

“It sure seems like Jay Z, Timabaland and their legal team in good faith thought they had a license”, he said. “They were doing what we want people to do”.

He added, “That’s not an insignificant fee at all”, Steinsapir said. “That’s a big fee. They paid it”.

Jay Z, whose real name is Shawn Carter, also said he believed they had all the appropriate rights for “Big ***”.

“We have the rights as you can see on the bottom of the CD”, Carter testified Wednesday, referencing liner notes that credit “Khosara Khosara”.

Whether jurors will see the claim in such simple terms remains to be seen.

Trials over song copyrights are rare, yet the “Big ***” case is the second major case to get argued to a jury in Los Angeles this year. In March, a jury awarded Marvin Gaye’s children $7.4 million from Pharrell and Robin Thicke after determining their 2013 hit, “Blurred Lines” copied Gaye’s hit “Got to Give It Up”.

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