Macklemore explores his ‘White Privilege’ – Bowie music set to be released by 2017

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In this file image released by Paramount Pictures, Christian Bale appears in a scene from ‘The Big Short.’ (AP)
In this file image released by Paramount Pictures, Christian Bale appears in a scene from ‘The Big Short.’ (AP)

NEW YORK, Jan 24, (AP): Macklemore explores racism and hip-hop in a new song called “White Privilege II” — rapping about a white person’s position in society with black people fighting injustice — and even namechecks Miley Cyrus, Iggy Azalea and Elvis Presley for appropriating black culture, along with himself.

The track, released Friday, is close to nine minutes long and starts with the Grammy-winning rapper at a march in support of the “Black Lives Matter” movement.

“I wanna take a stance because we are not free, and I thought about it, we are not we,” he raps on the song, released with his musical partner Ryan Lewis. “Am I in the outside looking in? Or am I in the inside looking out?”

“I appreciate his honesty and all the ways he’s looking at racism and his part in it,” Cori Murray, the entertainment director for Essence magazine, said in an interview. “I don’t think there’s an easy answer and I think that he really did just say very plainly, …’I know I’m appropriating black culture but I’m trying to do it in the most authentic way.’”

Released

Macklemore & Ryan Lewis released the song the same week Spike Lee, Will Smith, Jada Pinkett Smith and others said they were boycotting the Academy Awards because of two straight years of all-white acting nominees. The Seattle-based duo was not available for an interview for this story, but their website says the song “is the outcome of an ongoing dialogue with musicians, activists, and teachers within our community in Seattle and beyond.”

What has gotten major attention on social media from the song was Macklemore namedropping famous singers who are regularly accused of appropriating black culture.

“You’ve exploited and stolen the music, the moment, the magic, the passion, the fashion you toyed with, the culture was never yours to make better, your Miley, your Elvis, your Iggy Azalea,” Macklemore raps. At another point he says, “We wanna dress like, talk like, walk like, dance like, but we just stand by, we take all we want from black culture, but do we show up for black lives?”

Azalea, known for the hits “Fancy” and “Black Widow,” responded on Twitter after a fan pointed the song out to her.

“He shouldnt have spent the last 3 yrs having friendly convos and taking pictures together at events etc if those were his feelings,” Azalea wrote.

Hot 97 radio personality Peter Rosenberg said the diss was just Macklemore being honest.

“You can take it as an all-out insult, as Iggy did … but that’s appropriate, it’s done factually. I like Elvis’ music, I think a lot of people appreciate the icon Elvis is, but that’s very much what it is,” said Rosenberg, who co-hosts “Ebro in the Morning” and played “White Privilege II” early Friday during the radio show.

“Miley became one that really got irritating to a lot of people and I like that (Macklemore) did it. …It’s not like he’s just doing that blindly and not introspectively about himself also. You can be offended by it, but it’s not like he doesn’t include himself sort of in the conversation, because that’s what the whole song is about,” he continued.

Murray echoed Rosenberg’s statement: “I loved his honesty. I loved that he was factual, and I hope he was saying it also for himself, in a way.”

Macklemore & Ryan Lewis became a success when they independently released their 2013 debut “The Heist,” which featured the multi-platinum No. 1 hits “Thrift Shop” and “Can’t Hold Us.” The success also brought them drama: after submitting their songs and album to the rap categories at the Grammys, they were kicked out of the category by the rap committee, though the decision was later overruled. They went on to win three Grammy awards in 2014, including best new artist, rap performance and rap album, besting critical darling Kendrick Lamar. After it, Macklemore said that Lamar should have won best rap album.

The duo returned to music last year with the platinum single “Downtown” — which features Kool Moe Dee, Melle Mel, Grandmaster Caz and Eric Nally — and will release their sophomore album, “This Unruly Mess I’ve Made,” on Feb. 26.

Rosenberg said “White Privilege II” is not a surprise from Macklemore & Ryan Lewis, who are advocates for gay rights and had success with the same-sex anthem, “Same Love.” The group are supporters of organizations such as Black Lives Matter, People’s Institute for Survival and Beyond, Youth Undoing Institutional Racism & Freedom School and Black Youth Project 100.

“That’s who he’s always been. Him having an introspective song about wanting to support certain causes … that’s who he is,” he said.

Also:

LOS ANGELES: Unreleased music from several different eras of David Bowie’s long and brilliant career will likely start to trickle out in the next year or two, though a long-rumored autobiography will probably not happen.

A Newsweek article says that according to a person close to the late rockstar, who died Jan.10 at 69, there is “a long list of unscheduled musical releases that Bowie planned before he died.”

It’s not known how much of the releases will contain entirely new material and how much will be alternate versions of existing songs, but the article reports that the first of the compilations will be available by the end of 2017 at latest.

A cast album is also in the works for off-Broadway play “Lazarus,” for which Bowie composed the score. The musical, based on “The Man Who Fell to Earth” novel and starring Michael C. Hall, closed last week.

Over the years, the singer had amassed a huge collection of memorabilia and personal objects that inspired him, stored across three warehouses. Many of the objects are on display in the “David Bowie Is” exhibit that launched at London’s Victoria and Albert Museum in 2013, which is currently touring the Netherlands and will then travel to Japan in 2017. The next cities where the exhibit might tour have not been announced.

Although journalist-turned-filmmaker Cameron Crowe had worked on an unfinished book with Bowie in the 1970s, his long-rumored autobiography or art book “Bowie: Object” look unlikely to be completed, according to sources in the Newsweek article.

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