Journo recounts years as Syrian prisoner – Documentary retraces Padnos’ journey

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In this photo taken on Aug 30, 2016, Theo Padnos walks in a field at the family’s house in remote Reading, Vt. In 2012, journalist Padnos slipped into Syria to cover its unfolding civil war and was promptly kidnapped by members of an al-Qaeda branch. (AP)
In this photo taken on Aug 30, 2016, Theo Padnos walks in a field at the family’s house in remote Reading, Vt. In 2012, journalist Padnos slipped into Syria to cover its unfolding civil war and was promptly kidnapped by members of an al-Qaeda branch. (AP)

BOSTON, Sept 5, (Agencies): In 2012, freelance journalist Theo Padnos slipped into Syria to cover its unfolding civil war and was promptly kidnapped by members of an al-Qaeda branch. Convinced he was a CIA agent because he spoke Arabic, the group held the Massachusetts native for nearly two years before releasing him in August 2014. Now, Padnos is retracing his journey in “Theo Who Lived,” a documentary being screened Sept. 30 in Cambridge. Its theatrical premiere is in New York City on Oct. 7, followed by a wider release. Padnos, 47, who has been living in Paris and Vermont, tells the Associated Press he’s grateful to have survived.

The ordeal not only changed his outlook on life but also gave him perspective on the Syrian conflict that he feels is important to share. Padnos is working on a nonfiction book, a play and a novel drawing on his experience. He wrote about his captivity for the New York Times Magazine shortly after his release and is trying to continue writing about the region as a journalist. “I had a real spiritual voyage, which was terrifying for me and my family at the time,” Padnos said from his family’s vacation home in Vermont. “But looking back, this is what life gave me and I’d like to take what I learned and turn it into some positive benefit.”

The film follows Padnos as he returns to places in Turkey and Israel that figured prominently in his 22-month capture. The film crew never set foot in Syria. Padnos reflects on his captivity on sets emulating his tiny prison cell and the room he was subjected to torture and beatings.

Moment

Along the Turkey-Syria border, he recalls the moment when his travelling companions instruct him to dash across the field and hop the razor wire fence separating them from Syria. It’s a moment Padnos says he’d replay in his mind for months after. The trio of men had claimed they were providing supplies to the Free Syrian Army and offered to take him across the border with them. But they were actually affiliated with al-Qaeda. They staged a fake interview, beat him and took him hostage shortly after crossing the border.

“This is where I threw my life away. It’s like a precipice that I walked up to and I actually jumped,” Padnos says in the film. “Now I’m back in a safe place and I’m thinking why did I ever jump?” Padnos also details a series of failed escapes, including one in which cellmate and American photojournalist Matthew Schrier managed to sneak out through a narrow prison window but Padnos could not. Padnos’ mother, Nancy Curtis, who is interviewed in the documentary, says she still has mixed emotions about her son’s release. During the ordeal, she became close to the parents of other Americans kidnapped by extremists overseas. Many of them were not as fortunate as her family, she says.

Arranged

Curtis and other family members, working with the US and Qatari governments, successfully arranged for Padnos’ release just days after the Islamic State beheaded New Hampshire journalist James Foley in a video. The family maintains that no ransom was paid. “I always clung to the hope that he’d come home,” Curtis said. “But I also don’t feel great joy and happiness. Probably anyone who has had a solider in the war who came home but knows others that didn’t have similar emotions.”

Director David Schisgall says Padnos’ story is a rare eyewitness account of life inside a jihadi group by an outsider with a deep understanding of the region’s language and culture. Having spent years prior studying Arabic and Islam in Yemen and Syria, Padnos was able to build trust and friendships with some of his captors. Near the end of his captivity, he was given greater freedoms and even travelled personally with the then-high commander of al-Nusra Front, an al-Qaeda affiliate in Syria.

“The real intimacy he developed with his captors was remarkable,” Schisgall said. “It’s a very important message for Americans to see these people fighting as complicated individuals who are both very dangerous but also very human.”

Also:

LOS ANGELES: Stanley Tucci, who was in Deauville to receive a career tribute on Saturday, will reprise his role as Joshua Joyce in Michael Bay’s “Transformers: The Last Knight.”

While in Deauville, Tucci confirmed his character, Joyce, the anti-hero of “Transformers: Age of Extinction,” will be back in the next installment of the franchise which has just started shooting with Mark Wahlberg, Laura Haddock and Anthony Hopkins.

Introduced by Deauville’s jury president Frederic Mitterrand, France’s former culture minister, the tribute to Tucci included clips of his career highlights, from “The Devil Wears Prada” to “The Lovely Bones,” “Margin Call” and “Hunger Games.”

Tucci took the stage and addressed recent terror attacks that have shaken France and in the US. “We’re living through very difficult times in France, in America and in the world right now and cinema is something that can bring us all together and bring some positivity to life,” said the actor, who also said during his press conference that he was sad to see a military presence at the festival for the first time.

The actor added, “Cinema is a collaborative art form — a number of directors will even refuse to have “a film by and their name” (in the credits) because cinema is a collaborative art — and it’s in that spirit of collaboration that we can all move forward and I think some politicians have something to learn from artists.”

Tucci is one of the few American stars who made the trip to Deauville this year. Bruno Barde, the festival’s artistic director, said the recent attacks have had an impact on attendance. Another factor is timing as Deauville is sandwiched between Venice and Toronto film festivals which lure some of the biggest US indie films and talent.

The tribute to Tucci was followed by the French premiere of “Free States of Jones.” Matthew McConaughey was not in Deauville to present the movie because he’s currently shooting a film, said the distributor, Metropolitan Filmexport.

Michael Moore, who was being honored today, canceled his attendance earlier this week for “personal reasons.” His tribute was followed by a screening “Where to Invade Next.”

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