LOS ANGELES, Oct 18: (RTRS): Greek director Athina Rachel Tsangari’s comedy “Chevalier” won best film at the 59th BFI London Film Festival at the award ceremony at Banqueting House in London Saturday, while Robert Eggers’ “The Witch” took the first feature prize, known as the Sutherland Award. In her film, Tsangari, who earned critical acclaim with “Attenberg,” lampoons male antagonism and competitiveness.
A group of six men are on a fishing trip when they discover a mechanical issue with their yacht, and moor in a harbor to make repairs. While stuck there, they kill time by playing “Chevalier,” a game designed to determine who is “best in everything.” Jury president, Pawel Pawlikowski, the director of Oscar-winner “Ida,” described “Chevalier” as a “study of male antagonism seen though the eyes of a brave and original filmmaker.”
He added: “With great formal rigor and irresistible wit, Athena Rachel Tsangari has managed to make a film that is both a hilarious comedy and a deeply disturbing statement on the condition of Western humanity.” Pawlikowski’s fellow jurors were producer Christine Vachon, actors Chiwetel Ejiofor and Kristin Scott- Thomas, and director and screenwriter Mabel Cheung.
“The Witch” is about a 17th-century New England family torn apart by tension and the suspicion of witchcraft. Jury president, “Appropriate Behavior” director/screenwriter Desiree Akhavan, said “The Witch” “stood apart as the announcement of a new voice in contemporary cinema. A horror film that felt as though it were reinventing the genre with each frame and truly shocking moments that evoke both terror and empathy.
With an impressive command of cameras as well as truly heartbreaking performances — it presented a fresh, feminist take on a timeless tale.” The jury also commended Martin Butler and Bentley Dean’s “Tanna,” saying “It’s a rare skill to give a voice to a typically marginalized community that doesn’t condescend or patronize and for this reason the jury would like to give special mention to ‘Tanna’.”
Akhavan’s jury comprised director and fine artist Clio Barnard, who won the Sutherland Award in 2010 for her feature debut “The Arbor,” James Kent, the director of “Testament of Youth,” actor Allen Leech (“The Imitation Game”), and chief film critic of The Times, Kate Muir.
Jennifer Peedom’s “Sherpa,” which captures tragedy and mayhem on Mount Everest, won the Grierson Award for the best documentary. The jury said: “We are taken into the lives, homes and families of the Sherpas, who have for too long been overlooked and exploited, dependent for their livelihoods on an increasing number of tourists, who sometimes regard them as little more than owned slaves.
We’re left with an appreciation of the sacrifices the Sherpa community have made for over six decades. We applaud this impressive film for giving voice to a previously voiceless community, and we hope it reaches the wide, general audience that it deserves.” The jury members were filmmakers Mark Cousins and Brian Woods, Guardian head of documentaries and previous deputy director of Sheffield DocFest, Charlie Phillips, and directing duo Iain Forsyth and Jane Pollard (“20,000 Days on Earth”).
The awards ceremony was hosted by musician Jarvis Cocker, and guests included Kathleen Kennedy, Martin Freeman and Ian McKellen, who presented the British Film Institute’s Fellowship to Cate Blanchett. On Oct 14, the Academy organized a tony soiree for its members across the pond during the BFI London Film Festival, where foreign-language Oscar winner Pawel Pawlikowski is currently serving as president of the jury. Academy president Cheryl Boone Isaacs toasted London-area members at the historic Winfield House, a villa once owned by Barbara Hutton and husband Cary Grant, which now houses the American ambassador to the U.K., Matthew Barzun — a film fan clearly delighted to host a roster of Oscar nominees ranging from Rooney Mara (accompanied by “Carol” co-star Cate Blanchett and director Todd Haynes) to Ridley Scott, whose latest, “The Martian,” holds the top spot at the box office. Following a similar event a year earlier at 10 Downing St., the party brought together newly inducted European members, such as Gugu Mbatha-Raw and honorary Oscar winner Kevin Brownlow, with high-caliber veterans, including Joan Collins and Patrick Stewart, rubbing elbows with the likes of Kate Beckinsale and “The Danish Girl” director Tom Hooper. Brownlow, who’d only just returned from the Pordenone Silent Film Fest, beamed when asked about the Cinematheque Francaise’s recent discovery of material thought lost from Abel Gance’s silent-film “Napoleon,” saying, “I’m delighted that so much money will be spent proving the film is even better than I thought it was!”