NEW YORK, Feb 13, (Agencies): Nancy Zwiers was genuinely psyched to see “Lincoln,” but something happened between the ticket purchase and the credits. Off screen, that is. “Yes, I fell asleep,” confessed the 54-year-old. “I only have two clear memories of the movie: a bunch of old white guys sitting around talking and Sally Field in a perpetual state of angst.” That was shortly after its release in October. Fast forward to January, and a dozen Academy Award nominations for the 150-minute epic and another accolade has emerged: nap worthy, with and without apologies to Steven Spielberg and Daniel Day-Lewis. Movie napping is almost certainly as old as cinema itself. It strikes the overtired and the well-rested, film nuts and occasional theatergoers. Some blame it on soporific popcorn. Others on the enveloping darkness and a comfy seat. The theater is too hot. The theater is too cold, too crowded, not crowded enough ... Any which way, cinematic snoozing seems near epidemic proportions this awards season with buzz with extra ZZZs for “Lincoln,” the 157-minute sung “Les Miserables,” the 169-minute “The Hobbit: An Unexpected Journey” and others cited as good for a snore, but not always due to extra minutes.

Afflicted
Forget the theory that movie watchers of a certain age are more heavily afflicted.
“I don’t realize I do it and I wake up 20 minutes later and then everyone’s, like, you were asleep,” said Rose Liu, 31. “I snore and then it’s embarrassing, but I really can’t control it. I wake up and I’m re-energized!”
Liu has movie dozed on dates and out with friends, some of whom have nudged her awake at the request of strangers sitting nearby.
She, too, was done-in by “Lincoln.” She’s not a fan, but she also caught some shuteye during the two-hour “Argo,” which she liked. A power napper in regular life and a moviegoer about once a month, Liu acknowledged it would make sense to avoid late screenings, but that’s usually not possible.
Count psychologist Jennifer Thomas, 43, as a nap person outside of theaters and in. With four kids at home, she watches a lot on Netflix but gets out to the theater about once every three months. Thomas decided to take in “Life of Pi” in 3D on the recommendation of friends who enjoyed the book. In a rare moment of parenthood, Thomas was alone — in the dark, in a cushy seat.
“It was somewhere with the boat and the water and the lion, and they had settled into the story, and I just had this feeling that, ‘I’m just going to listen to the movie for a while and I’m just going to close my eyes,’” she recalled of her 15-minute break from the largely symbolic action.

Who among us hasn’t been there, at least once?
Collin Roberts has seen four of the nine films nominated for a best picture Oscar: “Argo,” “Beasts of the Southern Wild,” ‘“Life of Pi” and “Lincoln,” the latter definitely not her thing but a favor to her husband.
“The soliloquies started. That was something I didn’t know about Lincoln, his tendency to give long-winded speeches at inappropriate times. The elderly lady next to me fell asleep and started snoring softly and before I knew it, I was nodding off, too,” she said.
Entertainment Weekly has dubbed this the most thrilling race for Oscar in years, but the length of some contenders has earned attention. Over at “Saturday Night Live,” a recent skit suggests the next two “Hobbit” movies morph into 18 instead, including “The Elf Queen Tries to Pick an Outfit.”

Review
The writers at SNL included this mock review from film critic Peter Travers: “I fell asleep for 45 minutes and when I woke up the dwarves were assembling an Ikea dresser.” In real life, Travers liked parts of the Lord of the Rings prequel but hated the whole 48 frames a second thing and thought an hour could have been chopped.
The Internet is heavy with lists of all-time snoozer movies, but rarely is one season so full of them, or so say the nappers.
Tadd Rosenfeld gets plenty of sleep and rarely naps outside of movie theaters. He’s in catch-up mode on Oscar nominees and said his last in-theater snooze was “The Dark Knight Rises,” the latest in the Batman franchise released in July. It won a dozen awards, including one of the American Film Institute’s movies of the year and a Hollywood Film Award. Most of his friends loved it.

“But to me it was simply restful. It lost my attention almost straight away, and as my eyelids felt heavier and heavier, I just relaxed into a lower sitting position in the chair, allowing the colorful scenes to unfold as I drifted pleasantly away,” Rosenfeld said.
About an hour in, “I was rudely brought back by the sounds of an action scene,” he added. “But I just closed my eyes again, and let the carbohydrates from the popcorn send me back to sleepy-bye land.” That land is a familiar place for Margery Cooper.
“I fall asleep a lot in the movies. I snore, and then my husband wakes me up because of the noise. I go to movies once a month, always before 7 to make sure that I’ll stay awake,” she said.
Her “Lincoln” snooze was about 10 minutes. “I planned to sleep through ‘Zero Dark Thirty’ but was surprisingly engaged,” Cooper said.
2013 Academy Award nominees: http://oscar.go.com/nominees

Also:
NEW YORK: Movie studios can no longer use marketing to turn bad movies into financial successes, Sony CEO Michael Lynton said on Tuesday, explaining that social media has robbed them of that tool.
Speaking at AllThingsD’s Dive Into Media Conference, Lynton described the ways social media now influences a movie’s box office performance and what that means for companies like Sony.
“The biggest issue for movie studios has always been that some films are good and others aren’t so good,” Lynton told the crowd at the tech site’s Laguna Beach conference. “Originally, marketing was supposed to smooth that out. But we can’t do that anymore. With social media, you can no longer hide the goods.”
Lynton’s own studio is coming off a banner year in 2012, as Sony’s films grossed more than $4 billion at the worldwide box office. “Skyfall” led the charge, but several other films, from “The Amazing Spider-Man” to “21 Jump Street” and “Think Like a Man” helped the studio lead Hollywood in terms of box office market share.

Sony been one of the most aggressive studios at using social media to market its movies and build awareness in advance of a film’s theatrical debut. Lynton said the key to future success was making the kinds of movies that surprise people. While a “Spider-Man” reboot might not fit into that category, he cited the controversial but critically beloved “Zero Dark Thirty.” He also cited “Skyfall,” which differs from previous films in the Bond series.
As for other ways in which technology is altering the film business, Lynton touched on the stablizing DVD market, Netflix and the consumer’s increased willingness to watch movies at home or on tablets and mobile devices.
While Lynton insisted some movies will still appear in theaters first rather than being immediately available at home, he floated the idea of releasing additional content between the theatrical release and the window for DVDs.
“I like that idea a lot,” Lynton said. “But there are a lot of people at all levels of the industry that are concerned about that.”