LOS ANGELES, Dec 22, (Agencies): As she developed her story about lovers on opposite sides in the Bosnian War, Angelina Jolie drew on everything she had learned traveling to combat zones. But she started at home, imagining herself and partner Brad Pitt at such extremes. “In the Land of Blood and Honey,” Jolie’s writing-directing debut, hurls two lovers — a Bosnian Muslim woman and a Bosnian-Serbian man — from their tender relationship before the war into the horrors of work and rape camps, where brutality, betrayal and degradation are daily matters.

“The closest relationship in my life is Brad,” Jolie said in an interview for the film, which opens in limited release Friday and expands in January. “It’s the man-woman relationship. So for me to put myself in a position to be able to write from, it would be, well, what if it was me, and what would it be like? And what would it take? Could I ever turn on him? Would this ever happen? Would he ever turn on me? So you try to put yourself inside, and that’s how that relationship started.”

The result is worlds away from the vanity projects some superstars end up with when they play at directing. Jolie holds nothing back in depicting the savagery of the war that followed the breakup of Yugoslavia in the 1990s, as ancient ethnic rivalries reignited after decades of communist rule. As a goodwill ambassador for the United Nations, Jolie, 36, had visited Bosnia and felt a growing compulsion to help dramatize a conflict about which the world at large had been misinformed or even indifferent.
When the war broke out, Jolie herself was a teenager with other things on her mind than conflict in a distant land. “I was being a 17-year-old. I knew only a little bit about it,” Jolie said. “It just felt very far away, and until America got involved, I don’t even remember any headlines in our papers.”

Busy
As the years passed, Jolie remained busy with other preoccupations — Hollywood party girl, Academy Award winner for “Girl, Interrupted,” marriages to actors Jonny Lee Miller and Billy Bob Thornton, the latter a wild love affair that was a gold mine for gossip tabloids.
Then came the action comedy “Mr. and Mrs. Smith,” in which Jolie and Pitt starred as married assassins gunning for each other. Home-wrecker headlines followed as Jolie took up with co-star Pitt, who ended his marriage to Jennifer Aniston.
Jolie already had begun her humanitarian makeover, adopting a child from Cambodia and using her celebrity to shine light on children in peril, the plight of refugees and other causes around the world.

As she and Pitt’s family has grown — they now have three adopted and three biological children — Jolie’s image has transformed from sinner to saint.
“I’ve always tried to step outside my comfort zone. Sometimes that can be good and useful for hopeful things like this,” Jolie said, referring to her film. “And sometimes, when you’re younger, it can be very destructive and a bad thing.”
“That was what changed me completely, and then I knew that once you decide to become a parent, you can no longer be in any way self-destructive or selfish. You live for someone else, and it’s over. It’s all over,” Jolie said, laughing.

“But in the greatest way, because the chaos — no wild days as a punk are ever as interesting or as chaotic as my life with my children is now. They can out-punk anybody you know.”
Jolie said she wrote the screenplay for “In the Land of Blood and Honey” as a private exercise, but once Pitt read it, he told her to put it into circulation and get some feedback.
Without her name attached, she sent the script to people on all sides of the Bosnian conflict. The response was favorable, and before long, Jolie was casting actors, mostly people who lived through the war or had close relatives and friends in the thick of it.
Cast as Muslim artist Ajla, Zana Marjanovic was 8 years old when the war broke out. She and her mother fled to Slovenia while her father stayed behind in Sarajevo. Goran Kostic, who was 20 and living in London when the war started, was cast as Ajla’s lover, Danijel, torn between love and duty as a leader at the camp where she is interned.

With graphic scenes of rape, sniper slayings, civilian massacres and soldiers using women as human shields, the film was a balancing act as Jolie sought to tells a story representing all sides.
“We’re just too cool to be concerned about various superstars walking around our city,” Marjanovic said. “But when it was Angelina — that was just the one superstar we’re not immune to. It wasn’t only because of everything she’s done as an actress — it was that and the fact that she’s doing this film about Bosnia. I think everyone had really high hopes, and I believe they’ll feel that it came from the right place, that she will portray us truthfully and do a great job.”

Also:
SARAJEVO, Bosnia Herzegovina: Angelina Jolie’s directorial debut, a Bosnian wartime love story which sparked controversy is being shown in Sarajevo, distributors said. It is being screened twice a day until Dec 28, two months before it officially opens in Europe, the local distributor, Blitz film, said in a statement.
Speculation about the film gave rise to angry reactions from some victims’ organisations, including several who have now praised the film after finally seeing it in a private screening earlier this month. The associations eventually hailed the movie as objective and sincere.

However, an association of Serb victims which did not see the movie condemned it, arguing that if the Muslim victims’ organisaions liked it, it must be “anti-Serb”. The international preview took place on Dec 5 in New York and the movie will open in the United States on Friday. It will go on general release in Europe in early February. Bosnia’s 1992-95 war, between its Croats, Muslims and Serbs, claimed some 100,000 lives. Tens of thousands of people were held in prison camps were torture and abuse were common place. Government officials estimate that some 20,000 women were raped during the conflict.