NEW YORK, Dec 2, (Agencies): The National Board of Review picked Martin Scorsese’s 3-D “Hugo” as the year’s best film, an unusually kid friendly choice sure to add further intrigue to the Oscar hunt.
The group also picked Scorsese as best director for his whimsical film about an orphan who lives in a 1930s Paris train station. It’s the director’s first film in 3-D but one in which the adventure leads back to the early days of cinema and the wondrous films of French filmmaker George Melies.

It had been another movie nostalgic for the early days of movies — the silent film “The Artist” — that’s thus far been the award season’s early leader. That film didn’t receive any individual awards, but it was named among the group’s top films of the year. The others were “The Descendants,” “Drive,” “The Girl With the Dragon Tattoo,” “Harry Potter and the Deathly Hallows Part 2,” “The Ides of March,” “J. Edgar,” “Tree of Life” and “War Horse.”

Alexander’s Payne’s “The Descendants,” a warmly humorous film about a middle-aged Hawaiian (George Clooney) balancing a new commitment to parenthood, earned the most awards with three. Best actor went to Clooney, best supporting actress to the 20-year-old Shailene Woodley (who plays the eldest daughter) and best adapted screenplay to Payne, Nat Faxon and Jim Rash’s script, taken from Kaui Hart Hemmings’ novel.
Tilda Swinton was awarded best actress for her performance in Lynne Ramsey’s drama about a school shooting in “We Need to Talk About Kevin.” Best supporting actor went to the 81-year-old Christopher Plummer for his performance as a dying man who awakens to his latent homosexuality in “Beginners.”

Notable
The National Board of Review, a group of film historians, students and academics founded in 1909, is one of the first notable groups to announce its picks for the year’s best movies. Although it’s usually the first group out of the gate, the New York Film Critics Circle moved ahead of them this year, selecting “The Artist” on Tuesday as the year’s best film.
The National Board of Review has some pedigree in picking films that have gone on to win best picture at the Oscars. Last year, it selected “The Social Network” as the year’s best film, while the academy chose “The King’s Speech.” Most likely, this year’s picks only reinforce the notion that the field remains refreshingly wide open ahead of the Academy Awards nominations on Jan 24.
The group awarded best ensemble to the Civil Rights-era drama “The Help.” Its spotlight award went to Michael Fassbender, the Irish actor who stars in four films this year: “A Dangerous Method,” “Shame,” “Jane Eyre” and “X-Men: First Class.”

Best animated feature was awarded to the movie-reference-stuffed “Rango,” a kind of lizard version of “Chinatown.” The West Memphis 3 documentary “Paradise Lost 3: Purgatory” was selected best documentary. Best foreign film went to the Iranian drama “A Separation.”
Two actresses were honored for breakthrough performances: Felicity Jones in the young love drama “Like Crazy” and Rooney Mara in the adapted thriller “The Girl With the Dragon Tattoo.” J.C. Chandor was singled out for debut director for his first feature, the financial industry thriller “Margin Call.”
Will Reiser was awarded best original screenplay for his script to the cancer comedy “50/50.” Special achievement in filmmaking was given to the Harry Potter franchise for its “distinguished translation from book to film.”
The NBRs also give an award for “freedom of expression,” which it bestowed on two films: “Pariah,” a drama about a black teenager embracing her lesbianism, and “Crime After Crime,” a documentary about an incarcerated victim of domestic abuse.
A gala for the National Board of Review Awards will be held Jan. 10 at New York’s Cipriani’s, to be hosted by the “Today” show’s Natalie Morales.

Also:
LONDON: She has been nominated for an Academy Award 16 times, a record for any performer, and won twice, but to Meryl Streep, the golden statuette still matters.
The 62-year-old first attended the annual awards ceremony as a contender more than 30 years ago, when she was up for a supporting role honour in “The Deer Hunter.”
The following year she won that honour for “Kramer vs. Kramer” and scooped the best actress prize with the 1982 Holocaust film “Sophie’s Choice.”
Since then Streep has been back as a nominee 12 times, each time leaving empty-handed.
Now the “Devil Wears Prada” star is a frontrunner again for her portrayal of former British Prime Minister Margaret Thatcher in “The Iron Lady.”
Asked in an interview on Thursday if she still cared about the Oscars, she replied: “Sadly it still matters.
“It’s so exciting, it really is. I remember the first time I went and (Laurence) Olivier was here and I was next to Gregory Peck and Bette Davis was behind me,” Streep told BBC Radio.
“I mean, I’ve been going to that thing for many years but it’s still the one.”

She described The Iron Lady, in which she portrays Thatcher both at the height of her powers and as an old, forgetful woman looking back on her life, as a “Lear for girls,” a reference to Shakespeare’s tragedy “King Lear.”
“I said it secretly, I said, ‘you know what this is? This is Lear for girls’. It’s concerned with the endgame and how power diminishes, how we let go of things, and that’s the part that really interested me.”
Streep added that tackling such a controversial figure in politics who still divides British public opinion was daunting. “The policies that she put forward were shared by a number of people in the Conservative Party at that time, but it’s how they’re communicated.
“And was it (former French President Francois) Mitterrand that said she had the mouth of Marilyn Monroe and the eyes of Caligula.”